The
next stage is to create the basic brick colour for your building. For the mess hut I want
a stock brick, which is typically very varied in colour. Figure 4a shows my attempt at
this. The area shown is enough to cover one wall of the building, in other words, will
eventually print at about 50 by 60mm. If you're using a single colour brick (plain
red-brick for example) it's worth varying the colour slightly - bricks are never exactly
the same colour.We can now start assembling the various bits of the drawing. The key
features which we need to use in the paint software are:
- The use of 'layers' or 'objects' in a drawing. This enables us to put different parts of
the drawing, one on top of the other. If the object is small, it will only obscure part of
the layer underneath. If the object is large, it might cover all the layer underneath, but
it is possible to make parts of the top layer transparent, so that selected areas of the
underneath layer can be seen. Layers can be moved up or down (i.e. on top or underneath,
or anywhere in between).
- The ability to select and edit any one of the layers, without affecting the others.
- The ability to 'switch off' any layer so that is invisible.
- The ability to select any part of the drawing, and either edit this or protect it from
being edited. This process is usually referred to as creating a 'mask'.
- Areas can be selected for editing either by drawing a shape (rectangular, ellipse,
irregular) or selected by colour.
The first thing is to understand how your software deals with each of these. There are
no doubt many ways of creating a drawing like this - here is one way, which works in
Corelphotopaint.
The first thing is to open
your drawing of the outline of your building, and select and copy this to a new drawing
(make sure the new drawing is 600dpi). This should create the first layer in the new
drawing. The next stage is to copy and paste the background brick colour onto this same
drawing. My method is cut and copy four separate bits, one to cover each wall. Copying and
pasting these into the new drawing will create four new objects, each of which will
obscure your outline. Figure 4b shows three bits of brick colour pasted into the new
drawing. When you have copied all four you need to bring the outline to the top of the
drawing, which will in turn obscure the brickwork.
 You then need to select the area inside
one of the walls - Corel has a 'magic wand mask tool' for this. If you click this tool on
a colour it will select all the adjacent pixels of the same colour, so in this case will
select the entire wall, up to the black outline. Having done this, you can then make your
selection transparent - this will enable you to 'see through' the outline to the basic
brick colour underneath, Figure 4c shows one wall done, and figure 4d shows the process
repeated for the other three walls.
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