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A little into the film we have another scene that involves a two hour wait at a station,
but quite different to that of the credit sequence. A woman has arrived a Flagstone station. She walks up and down the platform through the bustling crowd of alighted passengers and workmen who are unloading goods and livestock. She is looking for someone to meet her, but she cannot find them. Time passes - she looks at the station clock - it reads 7:55. When she next looks at her pocket watch it shows 10:10. | ||
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We cut to a long shot of the woman standing beside cargo unloaded from the train. The station is now deserted but for two baggage handlers that are waiting to assist her. The film's main theme starts to play on the soundtrack. |
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| She starts to walk towards the camera, followed by the baggage handlers. |
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As she approaches the camera it begins to move back in front of her. |
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| She reaches the door to the station office and walks inside. The camera remains outside and pans right. |
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The camera continues to pan onto a window as the woman simultaneously moves into shot inside the building. The camera holds its position on the window (a frame within a frame) as the woman talks to one of the station attendants. |
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| He holds open the station door for her as she leaves. |
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The camera now cranes upwards passed the top of the window. |
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| It continues ascending passed the roof of the building ... |
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... until, in time with the swell of the music, the busy town of Flagstone is revealed - a town still in the process of being built around the railroad. |
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| And we see the woman with the two baggage handlers, bottom-centre frame, as she makes her way into town. |
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This sequence, in one continuous camera take, is Leone's most ambitious, with painstaking
attention to timing. The camera movement, the synchronicity to the pre-composed soundtrack
and the flow of the actors and extras, as we move from the deserted station to the busy
town, must have presented a logistical nightmare. But it is in such moments that truely great cinema is realised. | ||