La Pasionaria
a sequence poem in twelve parts by John Mingay
with photography by Boris Mingay



Dolores Ibárruri started her life in poverty, but came to be enriched
by the love of a people.

She was to become a revolutionary and the symbol of resistance to
the onslaught of Franco in 1930's Spain.

This poem sequence consists of twelve speeches she never made,
yet is true to her words and spirit.





i.m. Dolores Ibárruri 1895-1989


 
Embody the utter freedom of honesty
and the present will not slip away, will not pass by,
without moulding the past into history, so often forestalled.
 
With fire, with revulsion, all but the spirit will fall short
before the certainty it offers calls for disguise
to prevent the shame disparity would bring.
 
For, being able to become success tomorrow,
each should defend the success of the moment
and, against all bounds, live long, live slow, live lax.
 


Afterwards, with the significance of the sea
more than set to accept the admiration of those
known by allusion to face life with passion,
the effort of articulation will leave
one and every committed soul tending the soil
of which they never crow;
 
never despair;
 
soil quivering with fury
at the assassination of the memory of us.
 

 
Be ready,
be shrewd,
be eager to encounter compromise without submission.
 
Be quick to square the circle.
 
Be as you are through all you resist, all you accrue,
as you sweat in the throng for all to see.
 


 
In time, the unbroken rhythm of silence will be joined
by the unyielding sense of sadness placed in the way of progress,
so that, together, they come to be
meaningless issue of a line without end.
 
In time, of all the similar secrets likely to fade,
none will go slowly into the dark
 
none will slip away uncertain of any tomorrow
 
none will happen to hunger for the humiliation
so often suffered at the hand of pride.
 
In time, the significance of circumstances
will drift towards solution, ending the day in loneliness,
yet seizing the pleasure of succumbing to persuasions,
of losing with dignity when nothing is all that will remain.
 
But, for now,
the possibility of faith trickles, reluctant to be ready to be;
 
the unbroken present shared amongst muses faithful to the end,
muses who have so seldom perished,
who have resisted and won by accepting the darkness is long.
 


 
Your tongue charms what is left of the dread of descent.
 
Your hands tear at the conceit conquest demands.
 
You refuse to assume a stance.
 
And, momentarily, only your doubt stands in your way.
 


 
Nothing goes on
that should be over
 
be done.
 
Nobody calls
for the testimony of children
who have played,
without fret,
in the streets.
 
Time endures all.
 
With the naive sigh
of self-satisfaction
at taming the past,
it has fashioned gold
into a tomorrow
each of us accepts
 
as reliable, as familiar, as true.
 


 
Equipped with the cause
to come to the belief
that the end will be reached,
the unknown
is branded prophecy
and the promise of shelter is pulled.
 
Only your conviction
to the denouement to be arrived at
will free you
from the coldness of night
into which you have allowed fidelity
to fall like a gift no one wants.
 


 
The bitterness
 
never-endingly stewing
between obdurate masses
 
goes on
 
names dragged through dirt
and conceit complete
in bringing chaos to the day.
 
Of the merciless tedium
of heaven’s conversion
 
so little is known.
 
All who want to soar
face their obligation to peril
 
alone.
 


 
Our need for love screams
 
it shouts
and, for all we know,
no one cares. 
 
It screams all the more
 
passionate in cadence,
faced with heartless
sincerities.
 


 
Yet,
though with complete conviction,
the loyal mutiny only once.
 
Trust no-one.
 
Your conceit is
in knowing
the insurrectionary heart
 
in knowing
your struggle goes on
 
indignation veiled
over your perfect face.
 
No, trust no-one.
 
Who, after all,
is distinguished by their duty
 
acknowledged, by all,
for their fear of simple change?
 
Nobody.
 
No-one.
 



 
In the dead of night
sanity dies
with blood on the sea
 
with flames in the veins
of every tomorrow to come.
 
To resist
is as a whim.
 
To shed tears
is to descend into the iciness
of the pounding chaos
 
threatened then
with the ignominy of triumph
 
a warrior soft with compassion.
 


 
Your final act
must be to drain
the nebulous wiles
we know prolong our disgrace.
 
Waver
and all will end in tears.
 
Stand firm
and the sweat of sway
will fall from your face
to stifle the flames of our regret.
 
Your final act
must, without wane, be so.
 


 

text © John Mingay 2008
images © Boris Mingay 2007
lunar exposures,
Abbévillers, France,
25.7.07 @ 10.51pm.

A Raunchland Publication
2008

simultaneously published as a text-only limited edition pamphlet
to celebrate 25 years of raunchland publications
and the end of an era.


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