ABSTRACTIONS
FROM ALONG
ANOTHER WAY
a sequence poem in thirteen parts
by John Mingay
with prints
by Bill McKechnie




Abstract One

…and then,
for our achievements,
what happens to the timid?

There, caught by shadow,
we receive the twilight,
like living
outside the edges,
and are avidly devoured,

while those others,
who are starving
from being without voice,
become what we were
in the light of day.

Yet,
you would be anything,
if only you could dream -

you would be believed
if only you could know
what it is to be real
and be told what happens
happens through
no fault of your own.

But,
all too often,
we defer too easily,
immediately impotent
with our vulnerability
sweeping the shadow into light.









Abstract Two

Free from the symptoms of a will
that would have us think
we are our own excuse for being,
emotionally you find yourself alone
and sure of so little,
so full of the doubts and guilt
that have come to be
our only experience of the hours
when we struggled to be found.

And, alone, your life is in retreat
as you surrender to your fear,
never even trying to understand
that what lies between you and I
is a bridge to have us touch
what we remember - to have us
nurture the lizard on the cactus
that are no more - to have us
find something of ourselves in hope.









Abstract Three

And what we do
we do because
we have been betrayed
by our own synchronicity,
opened out for all to see
like a reality
that is free from boundaries,
free from dying.

And what we feel
we feel because
we are never as divine
as in our heart’s dreams,
never as innocent
as we dare allow ourselves
to believe we are
and have always been.

And what we accomplish
we accomplish because
we have lost the will to believe
in the approval of others,
an approval we, for years,
learned to take as read,
but have come
to question as foolish worth.









Abstract Four

Perhaps this soul is rotten?

A mess of words on pages
that mirror an addiction
to a truth so seldom encountered?

A searching for sorrow
when there are delights to digest?

Yet, this soul, my soul, is not without love.

This soul, my soul is a door through which
our dreams we meet with laughter,
our happiness the very thing
that becomes clearer
by the day.

For to think it funny
is to be reminded that life
is only clay in need of form.

To shape life as comedy
is to make way for possibility,
all angles to be kept open,
willing us on.

That each of us
can sense this
is the point
where we become
on the way there.

And over time,
perhaps,
the silence will heal.









Abstract Five

Simplicity,
in human hands,
is the freedom
we deprive ourselves of,
blind as we are to how it really is,
bluntly, but slowly, replacing it
with more and more
of what we believe we need,
too much to hold on to
the next to nothing it is.

In short,
a suicide of sorts.

For we are dead to it,
dead to its invaluable answers
to the river of mystery
along which we flow
as fast as time itself,
and so attain little
of what our lives should be,
each day checked by
our snarling imagining
there is only dust to bite.









Abstract Six

We are those
who might just whisper the truth
others would choose to have
stunted, secret.

For your gospel flower
is the proof of all things found
and my vulnerability
is that of all things thought.

Alike in no way,
but, still, as one
in our hunger for faith,
we are those who might just…









Abstract Seven

To hear
a critical voice
is to hear
a straining stream,
a poem inspired,
leaps of faith expressed.

As with a song in mind,
you hear it
over and over,
as if meant
to keep going,
never to be final.

In a way,
the traces of ourselves
each of us
leaves out
creates a like-sense
of no choice but to let go.

Nothing we do
we have to,
must do,
and nothing is so soon
when there is no plan,
just future.









Abstract Eight

Too humiliating
is the art of loss
for the blunt intellectualism
that runs from the morning
as if from silence.

But, like a rite of passage,
it is an art of darker dreams
that become self-inflicted wounds.

It is a time passed through
when then meets now
and we sense ourselves
to have learned to yearn
all the better.

For it happens that with loss
comes a splendid, naked potential
that points the way to a new reality.

And, as each moment comes
of another moment going,
you and I, malnourished,
have turned to this, repeatedly,
as our kernel of truth.









Abstract Nine

Most things begin with either
fear of reality or fear of failure,
without seeing the connection.

Afraid of the future,
afraid of thinking -
but you are not alone,
you are only one of many.

Rooted by fear,
with no real cure.

I,
also,
meet my fears as you do;

not alone,
one of many.

Afraid.

Rooted by fear,
no real cure.

Unable to jump,
to run, to surrender to change
on the eve of success.

Lost.









Abstract Ten

We are shaped
by an energy
that flows through our pleasures
and by whether,
by how much, we resist it.

We are between
dreams like water
and a desert parched of joy.

Yet, being
what we are,
where we are,
we lack only a path
that is always sure,
a way that, finally,
may never emerge.

But still we don’t turn back.









Abstract Eleven

We may find
the ruthless lies
of others
that have cost us
our appetite for truth
should be sustained,
but only
to keep the river running,
not by way of acceptance.

For the relationship
we have with the winds
will begin anew
in a language
strained, dictated by ritual,
choked by experience,
but, with each word,
we will come, all the more,
to own our lives, as we must.









Abstract Twelve

You voice
the taste of poison
the years past
still leave
on your every thought -

bitten once
too often
to forget -

your anger
takes to the road.

I, however,
take to my cave,
re-examining definitions,
learning the parameters,
the boundaries
of this darkness -

the next page slowly
beginning to unfold -

our two paths
born of one will.









Abstract Thirteen

With an end
there is still no final answer -

no shadow,
no shape,
no sacred tribe found.

We are by ourselves.

Alone.

We are the distance from home
travelling a winding path,
never straight,
but always our own.










text © John Mingay 2006
images © Bill McKechnie 2006
A Raunchland Publication
2006