The Eternal Anthology

Volume VI

featuring work by
Norman Jope, Srdjan Djeric, Corey Mesler, W.B. Keckler & Sandra Tapenden.




Five poems by
Norman Jope


Arcades
 
Dopamine floods the receptors.
Humbled guard-dogs cower, slavering
as barbed wire melts, a filigree candy.
And it’s easy again to sit here
counting the leaf-stars, licked by zephyrs
with an age rolled out, a verdant rug
that eases the feet worn down by history.
Those difficult years left bunions –
word-gnarled, callous, still hard to stroll on -
but the Barbies mince ahead, they pout
as if all memory were deft as scent
and feeling good feels good, that’s it,
even if the garden is a swamp, that stagnant.
 
We expected vertigo, the nail-sharp crampons,
not these arcades, where commercial childhood
stretches to senility – the skies avoided.


Elsewhere
 
Desire blows open door after door
to where we lie, on such a wide warm bed -
you, who did not expect to be here,
kidnapped from elsewhere
to be concealed in elsewhere.
Yet you turn and clamber over -
with a motion of your hand, you flick your hair back
and settle, swaying, sliding and enfolding
as if you were the blanket and the air above it,
the black star column over the ceiling,
the guarantor and goddess of elsewhere
that you offer to the skin, despite your abduction,
as we love in a place whose name we escape.


Lloyd's List
 
The bells clang underwater
and the day that was lost
lists in memory, as night's glaucomas
fasten to far stars and shadows of wrack.
 
Prawle, Start, Bolt… the waters pillow the darkness.
This stretch of land juts into a cloud
that presses on the shoals of the chowder coasts,
three thousand miles to the green-bellied west.
 
We are lost in water as we cling to the shore,
taking blind readings, mapped amongst the dead,
departed already yet awaiting our return
 
as night keeps falling, as unintended,
the process advancing to the point where seas boil.
Our words are registered now, yet mute.


Sable Star
 
In a scented land, the messages persist
in the shape of a girl whose name resounds
on alien lips with mystique and lust.
 
She reclines on the bed, getting younger by the hour
and remains as willing, as claimed by her exotic,
by the wealth she lacks, by hospitable scruples,
having not yet learnt that rejection is more potent.
 
She was warm once, when the gold of her hips
attracted the brush, its alchemic ochres
grasping at permanence. But even then, in shade,
the envisioned one lurked, real owner of that flesh,
of the flesh of the artist, even more urgently -
 
Chronos. Ankou. Tupapau.
 
Tautly, Tehura remains at rest
like a woman-shaped island on those sheets,
her pupils deep black, the negatives of Venus.


Zenith
 
The 'moment of night is over' again.
Gone, the downward gaze and the downward spiral,
the sense of a life in closedown mode,
the lure of a death that is no answer at all
but a sealing of the question's idiot grin.
 
The jesses are off, and here are the horizons.
The ferry is at ease, in the turquoise straits -
fording no Styx, it travels like a wave
from brilliant island to island,
on which we will invent ourselves with fake IDs
that were once our own, reclaimed from the dead.
 
We embrace on cliffs of high white marble
where the sun heats up the stones, as if from inside
and know that it can’t last, how strange the earth is.
Yet what purpose has a heaven where the sun fails to shine
and all flesh is abstracted, all congress scripted?
Better to descend to the accompaniment of torches,
fading into shade, beyond memory's husks,
and better dream of this than spend a life sleeping,
despite the kings of separation with their bullying voices.
 
For that is how we are able to make love
with our eyes wide open, on the lintel of the world
and that is why we can never exist.




Five poems by
Srdjan Djeric


Another State of Consciousness

There are less and less of us, dreamers
We're withdrawing into another state of mind
Following traces of a lost tribe
Snows in the passage are announcing some steps
Somebody is at the door of my winter lives...
We set out to the distant open-sea
When searching for a hidden shape of knowledge
Our tracks are disappearing in cold waves
Like fisherman with torn nets
I make sacrifice to gods at dawn.
Change of seasons is nothing but
The playing of a variegated duckbill,
Dead nature is left unfinished...


Nonsense

Alarm clock stops the last possibility
To live without obligations, at half past six
The parrot from the next-door flat
Is trying to imitate its digital melody, not knowing
That it's impossible to imitate digital sounds
(Neighbours should buy a parrot-replicant)...
I put the latest straitjacket on
And the tie that repulses people,
That's the way to be more productive.
I am putting the projects for ruining
Some antique monuments in the briefcase
Taking them to the main director of
Modern world's chaos, to be checked.
Yet to drink a cup of coffee made instantly
With much sugar and little milk
And I'll be ready for a new working day
Which takes from me
Even the last tracks of tranquillity...


Cosmic Anathema

Great flood wept out half of the town
Crows moved into our souls
And saints do not exist among us,
They are hidden between the lines
In the books of revelation.
None of the streets nor suburbs nor large fields
Are the creation of our foggy dreams
Surrounded by incorporeal creature's poems
Our glance was always cast
Out of the frame of ephemeral knowledge,
But all alchemic and esoteric secrets
Were left misinterpreted
Promised kingdom can hardly be seen
Hidden by anathema of inquisitions.
We're slowly loosing the important cosmic battle
Only one spoonful of distant star's mass
Is enough for disappearance...


A  Black Orchid

Go back to your original colours
Now, when you are onomatopoeia of cold faces
Gothic rakes didn't in vain make orgies in castles
Diamonds in cupboard causing envy and
The angel on the black horse is one of them.
We are besieged by sea and reefs
A few cobwebs thrown at random
Like a silk dew of woods in the Andes
Where it dawns twice a day
In memories...
So little time floats through us
Canons of wisdom are left captivated
Behind the massive walls of Alexandria.
Inexorably, time becomes a charmed circle...
A black orchid is closing its petals
In the garden of red roses of Damask.


Fears We Are Familiar With

Fears we are familiar with
Cannot be destroyed
The winner is always
A hot cane of illegal Gods
To whom we pray,
Everything is lonely imagination of a shore
Destroyed by the sand of oblivion...

There is no identified crime
People are always making promises,
I can't live in the plastic water
Guided by primordial instinct
I never choose self-control,
It's impossible to always
Keep the same temperature
When colour-blind people are marching proudly
(There was a man who liked a picture
Instead of Persian roses)...

There are no rhymes which rhyme
An answer does not recognise the truth
The answer was in the question,
Reality is not appealing
There are less sacrificed souls

Sorry, my disturbance is unintentional...




Nine Poems by
Corey Mesler
 
 
Flowering Outside of Time
 
My daughter’s hand opens
like a lily.
She is giving me another
present.
 
 
Beware of Darkness
 
When I fell
I fell hard.
The asphalt kissed me,
dislodging teeth.
But, friends,
this is the part I do not
tell. The darkness
assuaged my
simple loneliness—
I did not leave it lightly.
And it is there still,
a convivial barracoon.
Beckoning.
 
 
Little Heart
 
Little heart, how came
you to be what I rely on,
little canker, no bigger
than a lie?
 
 
I Only Want What my Arms Want
 
“Whoever embraces a woman is Adam.
The woman is Eve.”
Jorge Luis Borges
 
The distance between us accordions like
the death of a planet,
the black hole that is flesh-loneliness.
It’s a funny world: I can pull your picture
up on this outer space screen, the
same space I use to write these words. And
you say: your words are warm
on my flesh. So, I long for your flesh,
across the great uncharted pelagic wash of stars,
loose in the huggermugger world.
 
 
The Difficult Poem
 
The difficult poem
is waiting for you
like a blind date.
The difficult poem
wants you to tax your
resources. The girl
you love is at peace
with the difficult poem.
Your parents say ignore it.
Your best friend
tells you he writes better
than the difficult poet.
Your head hurts, your
eyes see only stars.
Words don’t mean what
they meant only yesterday.
Breathe, you tell yourself.
The last word of
the difficult poem is
begin
 
 
Meeting
 
The throw rug
we threw down
shifts under my feet.
You lift your skirt.
There is warmth,
danger, change.
You are Manichean,
bright and dark.
The tan stops where
the light begins.
The light that leads
me on, a stranger
perhaps, full of sin
and wonder,
full of the very juice
that revives you.
 
 
Spellbind
 
A red thread
plaited into the
severed braid
of stone-brown
hair, laid beside
the stream, as
if the one most
suited would come
only this way,
to find what
has not been lost
so much, as
placed there, like
your best prayer.
 
 
The Dead Father
 
"I scowled at the mirror and caught
hold of my father, my long gone father.”
Walter Martin
 
Dead a month now
I cannot say the word dead.
He is ashes
and the taste is in my mouth;
the brickleness of
my bones scrapes my heart.
Grieving is physical;
this I did not know.
Now, 30 days later to the day,
I still wake up
to find a hole in the world.
Everyone else moves
around as if it doesn’t exist.
Everyone else
loves and hates and feigns
indifference. Mornings
I make up the bed the way a monk
would do, in his
tiny cell, with only a sliver of
light for company.
 
 
Grit
 
Small poem, grit in the eye.
Remember it in grocery line.
Right before sleep let it
soak in. Small poem, made
of mummery and prater.




Five poems by
W.B. Keckler 


Apology


I can't write to you because your reality
will come at the expense of my unreality.
Or vice versa.  Let's imagine each other
monumentally wrong, but wonderfully human
for avoiding the struggle-unto-death
which would surely touch one of us to the quick
and kill the numinous third of vague love
between us, which is a purity of moments,
an essence, and a sanctification of life
as something superb in its lack of definition,
something akin to the space between objects
which gives them their own measure and music
which some may call "nothing," but which painters
see as elation.  This plastic space is life.
I feel the distance always changing, changing between us

and it does not go away.  It must live beyond us

and I will not be the first to strike.



Cut-Rate

Sashimi     opens and shuts its eyes
As the knife slices off fragile tissues, thin
Galaxy-sectioned
As (or) a sex opens and closes
Dark mussels

The pearl diver's knife
As ( ) notable sport fishes
The eye in a marmalade
After the fall of
The tongue's
Selling price

Sleepy
The fish's tail flails suddenly

"There is no 'suddenly'"

Children tell their lovers


Words I Didn't Speak at Your Funeral

a flight pent up
is a death instinct
inside a whiskey bottle
the wall of clouds reflects
a Gorky
I meant "practical grounds"
for dismissal
of cell formation in, say Russia
going to the moon
more white noise
so I meant to ask you anyway
"What is a gesture?"
do we absorb
what a person was  (or wasn't
the pencil moving through clumps of acrylic
bumps over the mountains
of matter's various moods
clump clump
like an embryo tonight, the moon
is dreaming adaptation
like the golden sarcophagi of Egypt
everything is too late
but soaked with memory
baba au rhum

matter has a nosebleed...


Nude

The body spreads
itself, a feast

of paper, seems
delicious until

the eye, rising,
finds nothing there.

It has no face,
no malleable, endless

thing, source
to read and feed.

No eyes, mouth,
nostrils daring.

Rubber doll,
hole, dildo,

pliable and nice.
Inedible cold dish,

universe and ice.
The headless body

is invincible.


Museum

Here are mercury vials they used
to poison themselves with cure
and here is a scalpel
that severed nerves misunderstood
which spoke too continuously
beyond the human gamut of feeling
and here a diagram of the human body
that once closed tightly as a mollusk
against the world
as language pearlized the inside
as music too much like radiation
overexposed brains like a photograph
leaving us with this archive
honeycombed with the wishes of doctors
who cultivated silence in glass vessels
and mirrorless rooms
who felt such rage at being ignored
at a mouse's whiskered twitch
or a laugh that burned their white backs.





Five poems by
Sandra Tappenden


People moulded out of air

Etiquette is a load of stupid nonsense;
anyone can move into your dreams
without making an appointment
or even bothering to get dressed.

At 2 a.m. someone was knocking;
it woke me out of a cocoon I`ve
been spinning for years, although
I can`t follow a pattern to save my life.

“Dear Wisp, you are invited to a party
with all the other happy ghosts I love.”
But gatecrashers are queueing and
I don`t like the cut of their jibes.

Napkins were invented to save our blushes,
like all the fiddley things we say to spare us
being ugly. Dignity is unable to encompass shit;
I am trying not to frown myself to death.


People who are drawn to take free stress tests

The high street is a picture of anywhere
this side of salt water, although there`s
a shiny sculpture with old riddles on it
where people tidy their reflected hair.

(I like back streets, where butchers
are selling their hacking kits on-line
and you can buy out-of-date chocolate
in the spooky mini-mart.)

The checkout girl in Boots
wears a scarf arranged over her head
which means she belongs to
something I don`t.

A chance encounter with Elizabeth
was the exact missing thing;
hugging and theology in the alley
behind that weird little factory.

Where does anyone live nowadays?
Certainty is a product like anything else
and poets are not much use are they
I often think I overhear someone say.


People who charm your pants off need more love

It`s not true that red-hair equals
personality disorder; I found this out by asking,
bored with the heat. Look at the curtain
hanging limp; no breath. A hamster`s life
is short, but might be fun. And then Kev
went and spoiled it all by having a party;
all the top girls sat in a row, their toenails
really well-cared for, you could tell.
Running away to the circus or sea
for one night only often clears the air.
I don`t really like you that much but
I can`t put my finger on it. O ennui.
Perhaps I won't marry Khalid after all.


People who infer via mass media
(Live 8)

Madonna holds hands with a woman
who almost starved to death in front of our eyes.
I am surprised I can still be surprised.

No newspaper I want to read
offers more than Lord of the Flies.
Civilisation`s a jab you get from your doctor.

Mim comes in and says O is this the tennis?
which I find gently pornographic. Yawns and sighs;
morality is a funny old word, eh.


People with a point to prove

Baseball caps make anonymity cool.
When that car almost ran you over
were you thinking about money,
or a job with a boss who looked less
like a monkey? I am so tired

of looking and looking; the eyes
are a feature we take for granted.
The eyes are windows starvation wants
to replace with UPVC frames. It
is something I have been considering,

yes, I admit it, now get off my phone.
The streets are magnificent with stains;
old wounds and wants, motley accidents.
The other day we laughed about that
incident where a man had his legs broken.

We are shaking inside all the time;
what we do is go swimming or take
advantage of expensive smiles.
I love you; that remarkable ability
to win out on the pavement.
 

 


If you have any comments to make on these poems, please e-mail us at
raunchland@hotmail.com

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