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My music

"Listening to J1's (Jon Turner's) music is like taking a trip down the lane of currently popular dance forms: Trip-Hop, House and dreamy breakbeats are all represented here. This is good, because this artist is a talented and imaginative arranger who uses samples, voices, and -- of course -- ever-present beats to good effect." Will Lerner (Listen.com) ......

"Hopelessly downtrodden electronic style invokes Portishead's trademark style. Roughly textured beats carry each brooding melodic blend." Melissa Piazza (Listen.com) ......

 
aka


The bands we were listening to and going to see back then were the brilliant Au Pairs, Gang Of Four, Magazine, The Clash (saw them on back-to-back dates in 1980 or '81), The Cure, Madness on the original 2-Tone Tour, The Beat, The Freeze, Dangerous Girls, Punishment of Luxury, PIL... A golden era at the start of the '80s which turned into absolute tripe by the middle of the decade. An interesting time though. Our drummer and a few of my friends fell foul of the excessive amounts of heroin that were available at that time but our drummer is alive and well and now half of Gonzoid. Don't know about some of the others though...
Started in the early 1970s with Practical Rabbit, and then jumped the divide into New Wave at the end of the decade as lead singer, writer and keyboard player with The Wounded Popes and The 20th Century F*xes, bands you have almost certainly never heard of (unless you were around Twickenham in the late '70s or Lancaster in the early '80s perhaps...).
Download my music here

Themic instrumentals, with occasional vocals, based on hip-hop, trip-hop and ambient breakbeats...

I once told Paul from the Au Pairs that they were the best band I'd ever seen, but I don't think he believed me... They were though, and I won't be the only one who thought that. If you ever get a chance to listen to their album it is brilliant but it was a massive disappointment compared to the way they played live...
Had the pleasure of spending time with Alex Knight, lighting man of The Beat, UB40 and the Au Pairs who would drink five pints of Carlsberg Special at lunchtime, half a bottle of whisky in the afternoon and another eight pints of Carlsberg Special in the evening... every day... I think he died...

 


After so many years recording alone I am now thinking of putting a band together again having nearly done so in 2004. I had a bassist, guitarist and sax player but desperately needed a good female vocalist and drummer. If you are either of these things and like the music then please contact me.
Great to be living in Bradford on Avon. There is a very high quality of musicianship amongst the local bands, particularly the youth of the town, which is brilliant. Blackbud have broken nationally and are championed by Zane Lowe, The Notts were a great live band, and now The Volt (see myspace.com/thevolt) are carrying the flag for the town
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To download, right click and choose "Save Target As"

DOWNLOAD 01) One
DOWNLOAD 02) Anyhow
DOWNLOAD 03) After (You'd Better Believe It)
DOWNLOAD 04) Bed
DOWNLOAD 05) Past
DOWNLOAD 06) Instr. #14
DOWNLOAD 07) Night Dance
DOWNLOAD 08 Dark
DOWNLOAD 09) Spirit Wind
DOWNLOAD 10) Indifference
DOWNLOAD 11) Still Open
DOWNLOAD 12) Feel
DOWNLOAD 13) I'm No Hero
DOWNLOAD 14) Girls and...
DOWNLOAD 15) Aah
DOWNLOAD 16) Almost
DOWNLOAD 17) Home Again
DOWNLOAD 18) Au Revoir
DOWNLOAD 19) Find The Way
DOWNLOAD 20) Forever (Showdown)

Anyway, after I'd finished with bands I started to record solo when sequencers first became affordable, and even before that when you had to do everything on 4-Track cassette tape.
I spent the 90s composing as a solo artist, submitting to record companies, TV, and film without much success and making my music available on the internet, high charting on the old MP3.com site, gaining some nice reviews at the old Listen.com site and being one of the first people in the world to write a song using Bram Bos's Tuareg software (Find The Way), certainly the first decent song...

"Listening to J1's (Jon Turner's) music is like taking a trip down the lane of currently popular dance forms: Trip-Hop, House and dreamy breakbeats are all represented here. This is good, because this artist is a talented and imaginative arranger who uses samples, voices, and -- of course -- ever-present beats to good effect." Will Lerner (Listen.com) ......

"Hopelessly downtrodden electronic style invokes Portishead's trademark style. Roughly textured beats carry each brooding melodic blend." Melissa Piazza (Listen.com) ......