We now introduce an original manipulative process which, if it may be performed, is guaranteed to transform one lookalike into another. Our starting point is once more a string figure in which the motifs have already been identified.
THEOREM 1 (Deconstruction Theorem). If a twodimensional subset S_{1} of motifs of a string figure F can be completely unravelled leaving a subset S_{2} of unaltered string contacts, then the unravelled subset S_{1} can be reformed as the reflection of S_{1}.
Proof
Example 1. The subset AB of the Brown Bear (fig. 7) may be completely unravelled to leave CDEF: hence  by Theorem 1  the unravelled subset AB may be reformed as the reflection ab to give the Brown Bear lookalike abCDEF. The reader is encouraged to work this example with a loop of string.
Example 2. After an unravelled subset of motifs is reformed in the reflected state it may be possible to repeat the process with a different subset. We illustrate with Jacob’s Ladder. ABCDEFG of Jacob’s Ladder (fig. 9) may be unravelled to leave HIJKLM (fig. 10), then the unravelled motifs may be reformed in the reflected state to give abcdefgHIJKL (fig. 11); next gHIJKLM may be unravelled and reformed to give abcdefGhijklm; then abcdefGhij may be unravelled and reformed to give ABCDEFgHIJklm; and so on. Other lookalikes are revealed by unravelling different subsets at different stages of the procedure: for example, from the original figure (fig. 9) it is also possible to unravel ABCDEFGHI, DEFGHIJKLM or BCDEFGHIJKLM. Each fresh unravelling indicates a new pair of lookalikes. We note that the unravelling operations that may be performed at any one time depend upon which lookalike is available for the process: for example, the seven motifs on the left may be unravelled from ABCDEFGHIJKLM but not from abcdefGhijklm. The reader is encouraged to work this example with a loop of string: there’s a touch of magic at the very end of each reforming process as a tangle of string untangles and the last motif snaps into place.

Construction: Opening A; release the thumbs; pass the thumbs under all strings and pull the far little finger string towards you; pass the thumbs over the near index string and pick up the far index string; release the little fingers; pass the little fingers over the near index string and pick up the far thumb string; release the thumbs; pass the thumbs over the index loop and pick up the near little finger string; pass each thumb from below into the index loop close to the index; navaho the thumb loops; pass each index finger from above into the string triangle near the thumb, then rotate the index fingers down and away and release the little finger loops; extend. 


THEOREM 2 (Discoverable subsets of lookalikes). If a string figure may be completely unravelled by unravelling U twodimensional subsets of motifs in succession (and in addition, in the case of a threedimensional figure, of threedimensional subsets of string contacts consisting of entire motifs and/or part or all of the 3D framework of the string figure), then
A notation of nested brackets will be used to represent the process of 'unravelling by motifs' as applied to a particular string figure. Each stage in the unravelling of a string figure is indictated in this notation by the stripping away of the outer brackets and their immediate content. Thus ((A)BC) implies that BC may be unravelled, leaving (A), and then A may be unravelled. Square brackets will be used to surround a nonreflectible substructure (see the Worm in part IV). An expression such as {((A)BC)} is to be understood as a shorthand for the discoverable subset of lookalikes {ABC, Abc, aBC, abc}.
Example 1. The Brown Bear (fig. 7) may be completely unravelled by unravelling EF, then D, then BC, then A: hence {((((A)BC)D)EF)} is a discoverable subset of 16 (2^{4}) lookalikes. The lookalikes are ABCDEF, ABCDef, ABCdEF, ABCdef, AbcDEF, AbcDef, AbcdEF, Abcdef, aBCDEF, aBCDef, aBCdEF, aBCdef, abcDEF, abcDef, abcdEF and abcdef. Alternatively, instead of unravelling BC from ABC, AB may be unravelled to leave C: hence another discoverable subset of 16 (2^{4}) lookalikes of the Brown Bear is {(((AB(C))D)EF)}. The reader is encouraged to perform the unravellings with a loop of string. Eight lookalikes are common to both subsets, those in the subset {(((ABC)D)EF)}. There are no other lookalikes apart from the twentyfour (16 + 16  8) distinct lookalikes revealed through these unravellings.
Example 2. The Bed (fig. 12) can be unravelled by unravelling AB, then CD, then E, then F. Hence {(AB(CD(E(F))))} is a discoverable subset of 16 (2^{4}) lookalikes. ABCDeF is a lookalike of this subset (created by forming F, then e, then CD, then AB). ABCDeF can now be unravelled by unravelling AB, then DeF, then C. Hence {(AB((C)DeF))} is also a discoverable subset, this time of 8 (2^{3}) lookalikes. Four lookalikes are common to both subsets, those in the subset {(AB(CDeF))}. There are no other lookalikes apart from the twenty (16 + 8  4) distinct lookalikes revealed through these unravellings.
Fig. 12  The Bed

Construction: Opening A; pass each thumb into the index loop from below, over the far index string, then pick up the near little finger string and return through the index loop; pass each little finger through the index loop from above, then pick up the far thumb string and return through the index loop; release the index fingers; extend. 
The number of impossible string figures which differ from a given string figure in the parity of one or more motifs is given by the difference between (i) 2 raised to the power of the number of motifs and (ii) the number of lookalikes. Some of these impossible string figures may turn out to be identical knots under a topological transformation, but, in a context where we are interested in the lookalikes of a string figure formed upon the hands, all are to be considered distinct.
Example 1. There are 40 (2^{6}  24) impossible string figures masquerading as lookalikes of the Brown Bear. One of the forty impossible string figures is ABCDeF (fig. 13).
Fig. 13  An impossible string figure masquerading as a Brown Bear lookalike
Example 2. For an example of an impossible string figure masquerading as a lookalike in the string figure literature see Jayne 1962, page 45, fig. 94, a faulty illustration of the intended figure (Bagobo Diamonds). The illustration and the intended figure differ in the parity of a single motif.
THEOREM 3. The set of all lookalikes of a string figure is a union of discoverable subsets of lookalikes.
Proof
Example. The Brown Bear set of lookalikes
= {((((A)BC)D)EF)} È {(((AB(C))D)EF)}
= {ABCDEF, ABCDef, ABCdEF, ABCdef, ABcDEF, ABcDef, ABcdEF, ABcdef, abCDEF, abCDef, abCdEF, abCdef, abcDEF, abcDef, abcdEF, AbcDEF, AbcDef, AbcdEF, Abcdef, aBCDEF, aBCDef, aBCdEF, aBCdef, abcdef}.
"In shards the sylvan vases lie"
(Herman Melville: The Ravaged Villa)
The valid states of a subset S of motifs in a string figure are the various appearances that S can assume in the different lookalikes of that figure.
Example. Motifs E and F in the Brown Bear (fig. 7) might conceivably be EF (as drawn), Ef, eF or ef. In fact only EF and ef are valid states: Ef and eF are only found in impossible string figures. The valid state ef is shown in figs 8a and 8b.
A shard is a subset S of motifs in a string figure such that
The catalogue of a shard S is the set of all valid states that can be assumed by the shard S.
Shards are not easy to identify. To identify the shards of a string figure it is first necessary to identify and analyse all the lookalikes of the given string figure. But, having identified the shards, an alternative way is available of efficiently listing all lookalikes.
Example 1. The Brown Bear (fig. 14) consists of three shards, ABC, D and EF, with catalogues {ABC, ABc, Abc, aBC, abC, abc}, {D, d} and {EF, ef}. Every Brown Bear lookalike is composed of a valid state from each of the three catalogues. The valid states in each catalogue have been determined by first identifying the various Brown Bear lookalikes. See the example following Theorem 3 for a complete listing of all 24 lookalikes.
Fig. 14  Brown Bear and its three ‘shards’
Example 2. There are 20 lookalikes of the Bed (fig. 12). The Bed is composed of two shards, AB and CDEF, with catalogues {AB, ab} and {CDEF, CDEf, CDeF, CDef, cdEF, cdEf, cdeF, CdEf, cDeF, cdef}.
THEOREM 4. If a nonempty proper subset of motifs is a shard, then the remainder of the string figure is composed of shards.
Proof