MikeRoTheatre
 

and the HomePage of Mike Rogers: Actor, Writer, Storyteller
 

This brilliant picture by Lawrence Wolff (who teaches Art at Winchester College) is still the best one I have, and shows me playing Egeus in the Winchester College Players' production of A Midsummer Night's Dream (director Simon Taylor), which took place in the Warden's Garden, Winchester College, in mid-August 2001, and toured for a week to the delightful and unique Minack Theatre in Cornwall, which is built on a cliff, and where I learnt the need to be early for your entrances, in order to get your breath back before you come on, after climbing a hundred feet or so. I'm always happy to act in good companies, where people know what they are doing and get on well together - like this one, and also the Winchester Festival Players (director Ron James) with whom I have performed in the Great Hall of Winchester Castle five times now, the only member of the Festival Players to have been in all five shows.

But this site is really about what I do on my own, as MikeRoTheatre. (Get it?) In my first season, I performed Three Men in a Boat (to say nothing of the dog), Gulliver's Travels, Zeus Remembers, Merlin and the Knights of the Round Table, and Lessons of Darkness, a selection of my own ghost stories, which I did just before Christmas 2000 in Winterslow near Salisbury (where I live) and early in 2001 at the Talking Heads pub in Portswood, Southampton (where I used to teach German at the University, until I was lucky enough to be able to take early retirement and devote myself to literature, theatre and other cultural activities.) My first one-man show was one I inherited from someone else: Old Herbaceous, in which I played an eighty-year-old gardener. I did it in Winterslow Village Hall, in aid of a charitable project which the village was supporting, and again in the bar of the Nuffield Theatre at Southampton University, in aid of Southampton University Players, whose chairperson I was for some years, during which time I adapted, directed and acted (as Charles Dickens and various other minor characters) in David Copperfield at the Nuffield Theatre (not just in the bar!) and also directed an all-female Julia Caesar. Details of my "stage career" can be found on one of the link pages below. I have also performed Three Men at Milton Abbey School in Dorset and done workshops at Sherborne School for Girls (in Dorset) on commedia dell'arte and Molière, and on Greek Drama at Coombe School for Girls in New Malden, Surrey.
 

The autumn 2001 to autumn 2002 programme included a performance of Three Men in a Boat in the Nuffield Theatre on December 9th at 8 p.m. (in aid of Southampton University Players) and The Poor Player, by Franz Grillparzer and translated by me - a treasure of Austrian literature, totally unknown in the English-speaking world, performed June 27th 2002 in the Austrian Cultural Institute, Rutland Gate, London. Merlin and the Knights of the Round Table (real improvised storytelling) was performed in the Nuffield Theatre Gallery Restaurant on Sunday June 30th in the presence of John Denham, M.P., and seventy or so other people, and I repeated the first half of it (inasmuch as you ever “repeat” a story that you tell) in St Michael’s Church, Southampton, on Saturday 16th November, as part of the Southampton Storytelling Festival – visit their website http://www.storyclub.org.uk

GHOSTS OF CHANCE (my own ghost stories, selected from the ones on the website below, in the Nuffield Gallery Restaurant, on Sunday, December 1st was a kind of succès d’estime, but didn’t have many bums on seats, and since then I’ve been acting for Winterslow Drama Group (The Inspector in Priestley’s An Inspector Calls, and a lecherous “Russian” director in Simon Brett’s Murder in Play) and for Southampton University Players (Jarge in a modern mummers’ play, and at present a seafaring rat!) and telling stories... for which, see the storyteller link above...

I AM INFINITELY ADAPTABLE and available for work at very short notice most of the time (as I said, I'm retired, and I do supply teaching to put the jam on the bread). I also have a very wide (and pretty eclectic) range of interest and knowledge. Though the images on this page suggest I am typecast as Mad Old Buffer (King Lear?) I did my doctorate on the funniest man in the German language (well, the Viennese language, actually) Johann Nepomuk Nestroy, and I have directed and starred in several of his plays with my students at Southampton. (Yes, I have the videos to prove it!) I like Kurosawa, Bergman, Raymond Chandler, Philip K. Dick, Georg Muffat, Heinrich Biber, Rameau, Couperin, Lully and Gerald Finzi, not to mention Silvius Leopold Weiss, Ned Rorem's songs and the works of Ernest Bramah and Brahms and Simon. Rather a heady mix, really. All in all, I feel I know a lot and want to communicate it. And acting seems a pretty good way to do so. I also write, mostly narrative prose, but also some poems and the occasional play. The links below should take you towards the kind of thing that will interest you.
 

Ways Forward
 

This will take you to a list of my current repertoire and a page of posters
Plays, poems, stories (in English and German) and a novel...
My Dramatic Experience
A little run through my life, as they say in Latin

TAUNTON'S COLLEGE: PRODUCTION DIARIES