|
|
The Merry Widow
by Franz Léhar
To be performed at The Little
Theatre: Monday 20 March -
Our 2006 production is the English language version of the classic Léhar
operetta The Merry Widow. Curiously
perhaps, given the show’s well-known standing, we have never performed it
before. When the society members voted
on the shortlist, it was an overwhelming winner and so we have now started
rehearsal for it going on stage next March.
Production team:
Director: ROBERTA
MORRELL
Musical Director: DAVID TOFT
By arrangement with
Glocken Verlag Ltd
![]()
![]()
SETTING
Late in the 19th
century. Paris.
Act 1: The
Pontevedrian Embassy in Paris
Act
2: The Garden of
Anna Glawari’s house
Act
3: The same,
later at night
![]()
SYNOPSIS
ACT 1
Before the curtain rises, a number of important events have already
occurred in the impoverished Balkan Dukedom of Pontevedro. The love-affair between the dashing Count
Danilo Danilovitch and Anna, the beautiful daughter of a commoner, has been
ended by Danilo’s aristocratic family who found the proposed match
unsuitable. Anna was caught on the
rebound by the wealthy State banker Glawari, who married her and obligingly
died just one week later, leaving her the heiress to twenty million
crowns. The loss of this money through
Anna’s remarriage to a foreigner would wreck the Pontevedrian economy and leave
the State bankrupt. Small wonder, then,
that Baron Zeta (the Pontevedrian Ambassador to
Anna arrives and is duly courted by all the men, even a reluctant
Camille, who Valencienne is determined to get married off to stop herself
falling for him. When Danilo arrives he
and Anna spar for a few minutes, Danilo promising that she will never hear him
say “I love you” to her. He promises
Zeta, however, that he will keep the Parisians from marrying Anna and to this
end auctions off the “Ladies Choice” dance she has given him. When he sets the price at ten thousand francs
the other men beat a hasty retreat, leaving Danilo to sweep the reluctant Anna
off her feet in a waltz.
(Click on thumbnails
for larger photographs)
ACT 2
Anna is hosting a Pontevedrian
party at her Parisian villa during which national dances and songs are followed
by her singing the legend of the Vilia wood-nymph. Valencienne has unwisely allowed Camille to
write an endearment on her fan and then lost the fan; she and Camille are
hunting everywhere for it only to find that Zeta has already picked it up. However he does not recognise the fan as his
wife’s and appoints Danilo to find out who the two lovers may be. During the course of his investigations
Danilo flushes out a number of extra-marital relationships that send the
unmarried men concerned scurrying for cover before the aggrieved husbands can
challenge them to a duel. This suits
Danilo admirably: the number of potential suitors for the Widow is steadily
reducing. Anna continues her attempts to
win Danilo over, without success, while Valencienne finally weakens and allows
Camille to take her into a summerhouse in the garden. Njegus spies them through the keyhole but,
soul of discretion that he is, says and does nothing until Zeta arrives
intending to use the summerhouse for some quiet diplomatic discussions. Zeta also sees his wife through the keyhole
and, apoplectic with rage, hammers on the door demanding the lovers come out. While Zeta is at the front door, Njegus
quietly spirits Valencienne out the back door and replaces her with Anna. Zeta is astonished when Anna and Camille come
out of the summerhouse – while Danilo’s explosion of jealousy is music to
Anna’s ears as she announces her “engagement” to Camille.
ACT 3
Anna decorates her villa to look like Maxim’s nightclub and imports a
number of Grisettes to add to the party atmosphere. Valencienne enters into the
spirit of things and dresses up like a Grisette too, to her husband’s dubious
approval. The missing fan is finally
identified as hers but, as she sweetly points out to her husband, she wrote
beneath Camille’s endearments “I am a highly respectable wife” and is therefore
irreproachable. Anna casually mentions
that should she remarry, she loses all her money and at this news Danilo
finally is able to express his true feelings and declare his love for her, as
he cannot now possibly be accused of hunting her money. Anna laughs and tells him that she becomes
penniless because all the money goes to her new husband. Danilo admits defeat and confesses that he
would have married Anna even if she had forty
million crowns!
![]()
BARON ZETA (Pontevedrian Ambassador
to Paris) Ron Smith
VALENCIENNE (his wife) Alexandra Hopewell
COUNT
DANILO DANILOVITCH (Embassy First Secretary) David Lovell
ANNA GLAWARI (The “Merry Widow”) Judy Dodd
CAMILLE Alan Gale
CASCADA (a Diplomat) Brian Moore
ST. BRIOCHE (a Diplomat) Philip de Voil
NJEGUS (an Embassy Secretary) Paul Nicholls
KROMOV (Pontevedrian Councillor) Peter Charleston
OLGA (his wife) Clare Townend
BOGDANOVITCH (Pontevedrian
Consul) Keith Goode
SYLVIANE (his wife) Jo Holroyd
PRITSCH
(Pontevedrian
Attaché) Richard
Blackman
PRASKOWIA (an Embassy guest) Josie Childs
LO-LO
(a Grisette) Janette Faulkner
DO-DO (a Grisette) Natalie Faulkner
JOU-JOU (a Grisette) Jane
McDonald
FROU-FROU
(a Grisette) Emily McDonald
CLO-CLO (a Grisette) Helen Rae
MARGOT (a Grisette) Elaine Taylor
Chorus of Pontevedrians,
Diplomats, Guests & Parisians
Louise Bridges, Pauline Brimble, Anne Charleston, Sue Cross, Janette
Faulkner, Natalie Faulkner, Jo Holroyd, Gill Horton,
Christl Hughes, Sarah Keen, Emily McDonald, Jane McDonald, Pam Meade,
Helen Rae, Ann Smith, Elaine Taylor, Clare Townend.
Alan Bullas, Rob Palmer, Ben Pick, Daniel Prior, David Robinson,
Geoff Root, Richard Smithson,
Barry Taylor, Frank Timson, Frank Williams.
![]()
PRODUCTION
Director Roberta Morrell
Musical Director David Toft
Accompanist Gill Hawkes
Stage Manager Ron Billings
Assisted by Penny Charles
Technical
Stage Manager John
Hendrie
![]()