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Iolanthe
or “The Peer and the Peri”
by W S Gilbert and
Arthur Sullivan
Performed at The Little Theatre:
Monday 23 April -
In Spring 2007 we returned to Iolanthe,
the well-known G&S satire on British Victorian politics… with many
similarities to today.
The thoughts of the Guardsman on sentry duty outside the Commons seem very
recognisable:
“When in that House
MPs divide (if they’ve a brain and cerebellum too)
They’ve got to leave
that brain outside - and vote just as their leader tells them to.
But then the prospect
of a lot of dull MPs in close proximity,
All thinking for
themselves is what no man can face with equanimity!”
Production team:
Director: ROBERTA
MORRELL
Musical Director: DAVID TOFT
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2008: My Fair Lady |
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SETTING
Some time
between 1700 and 1882
Act 1: An
Arcadian Landscape
Act
2: The Palace
Yard,
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SYNOPSIS
ACT 1
Strephon, an Arcadian shepherd, is in love with the shepherdess Phyllis.
However she is a ward of Court and may not marry without the Lord Chancellor’s
consent – and he considers a mere shepherd quite unsuitable for Phyllis. Strephon is in fact half a fairy (contrary to
Fairy Law his mother Iolanthe married a mortal man) but has not told Phyllis
this fearing she will leave him if she discovers the truth. Strephon has never known his father, as the
Fairy Queen ordered Iolanthe on pain of death to leave her husband before
Strephon was born. He tells his mother
that he and Phyllis are going to elope and brave the consequences of the law;
but before the two of them can do so they are interrupted by the full House of
Lords who have come to Arcady in the hopes of persuading Phyllis to marry one
of them. She declines, telling them that
her heart is already given to Strephon.
At this the Lord Chancellor becomes angry and threatens Strephon with
the full force of the law. Strephon is being comforted by his mother when the
Lords and Phyllis silently reappear and see them. Since Iolanthe is a fairy she does not look
old enough to be Strephon’s mother and the Lords ridicule his attempt to
explain the situation. Phyllis,
convinced that Strephon is deceiving her, turns her back on him and declares
she will marry whichever Lord is the noblest and richest. In anguish, Strephon summons the fairies to
his aid and the Queen, outraged at his harsh treatment, sends him to Parliament
as the representative of a pocket borough… with the added promise that the
fairies will ensure whatever Bills he proposes will become law.
Click on thumbs for
larger pictures – all reproduced by kind courtesy of Graham Nelson
ACT 2
Parliament is in turmoil.
Strephon’s proposals are all carried unanimously by both Houses due to the
fairies’ influence and the Lords are particularly horrified that membership of
their House is about to be determined by competitive examination. Strephon though is miserable. Despite effectively leading both parties in
both Houses, he simply wants Phyllis back.
Eventually he admits to her that Iolanthe is in fact a fairy, and
therefore looks much younger than she is.
Phyllis is delighted that there is an innocent explanation after all and
begs Iolanthe to plead with the Lord Chancellor for his consent to the lovers’
marriage. Iolanthe refuses and reveals that the Chancellor is no other than her
husband – and Strephon’s father – but that she may not by the Queen’s command see
or speak to him again, on pain of death.
She compromises and veils herself to speak to her husband and is
distraught when she finds that he plans to marry Phyllis himself (believing
Iolanthe to have died many years before).
Iolanthe reveals her face to the Chancellor and is quickly brought face
to face with the Queen who orders her death.
However all the other fairies have discovered the attractions of the
Peers and the Queen realises she will have to execute the whole company, until
the Chancellor quickly proposes an alteration to the law. He amends it to read that “every fairy shall
die who don’t marry a mortal” – and
the Queen quickly proposes to the Guardsman sentry to save her own life before
all leave for fairyland…
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THE LORD CHANCELLOR David
Lovell
EARL OF MOUNTARARAT David Lewis
EARL
TOLLOLLER Alan Gale
PRIVATE WILLIS (of the Grenadier Guards) Ron Smith
STREPHON (an Arcadian Shepherd) Philip de Voil
THE QUEEN OF THE FAIRIES Pam
Meade
IOLANTHE (a Fairy, Strephon’s
mother) Ethne Goode
CELIA (a Fairy) Janette
Faulkner
LEILA (a Fairy) Helen Rae
FLETA
(a Fairy) Jane
McDonald
PHYLLIS (an Arcadian Shepherdess, and Ward in Chancery) Alexandra Hopewell
Chorus
of Fairies, Dukes, Earls, Marquises, Viscounts and Barons
Josie Childs, Sue Cross, Natalie Faulkner, Jo Holroyd, Gill Horton, Christl Hughes, Sarah Keen, Emily McDonald, Liz Toft, Clare Townend,
Alan Bullas, Brian Moore, Paul Nicholls, Rob Palmer, Dan Prior, David Robinson, Geoff Root, Richard Smithson, Barry Taylor, Frank Williams.
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PRODUCTION
Director Roberta Morrell
Musical Director David Toft
Accompanist Gill Hawkes
Stage Manager Ron Billings
Assisted by Penny Charles & Christine Mitchell
Technical
Stage Manager John
Hendrie
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2008: [still to be decided] |